Curtains 04
oil and tempera on board
42"x54"
Curtains 05
oil and tempera on board
42"x54"
Curtains 06
oil and tempera on board
16"x20"
Curtains 08
oil and tempera on board
16"x20"
Curtains 07
oil and tempera on board
16"x20"
SOLD
Holy Fermentation
Glicee Print, edition of 10
33"x26"
Death
Glicee Print, edition of 10
33"x27"
What Have We Here We Have What?
Glicee Print, edition of 10
36"x20"
Still A Life
Glicee Print, edition of 10
33"x26"
The Wolf Boy Who Cried
Glicee Print, edition of 10
33"x26"
MATT CROOKSHANK
The core of my creative process is language construction. Each project I undertake begins with the crafting of a unique framework, developed through experimentation and intuition, which serves as both a procedural structure and a source of inspiration. These languages blend the conceptual, the emotive, and the aesthetic - traversing both narrative and abstraction, to become the scaffolding upon which my artistic endeavours are built. I recognize my practice primarily as a strategy for exploration, rather than strictly existing as separate practices in different media.
I am motivated by the possibility of capturing the ineffable in a way that can be intuitively felt through the visual communication of my work. In this way, my practice both exists as a real, tangible studio based painting craft, while simultaneously expressing itself in the realm of the intangible digital creation that has to be ‘rendered’ photographically to be seen - yet these rendered photographs are only evidentiary of the digital process. I radically pursue these types of contradictions as keys to revealing the deeper paradoxical fabric.
While this all may feel rather verbose, for me my practice is essentially playful gaming through a humorous subversion of meaning. I am relentlessly aiming at something which exists and does not exist, something that cannot exist but must exist. I am in pursuit, and being chased. I am guilty of being innocent.
“What can be shown, cannot be said.”
-Ludwig Wittgenstein